About Statue of Ku: The second book in the Moa Book Series, “The Statue of Ku” follows Hillary and Moa as they jet to Egypt on the Prince’s private plane to reclaim Moa’s family heirloom, the inimitable statue of Ku. Get it on Amazon.
About the author:
Tricia Stewart Shiu combines her addiction to the written word with her avid interest in the healing arts and all things metaphysical in her novels Moa and Statue of Ku and looks forward to finding new ways to unite her two loves. Visit Tricia on her website, Twitter, Facebook, or GoodReads.
Please enjoy this interview with Tricia Stewart Shiu, author of the paranormal YA novel with a literary bent Moa and Statue of Ku.
1. The Moa Book series has a metaphysical theme. Do you have any expertise in this area?
I am an energetic intuitive and have a talent for creating powerful healing essential oil blends and gem elixirs. The unearthing of these talents occurred as I embarked on a metaphysical journey, which included studies in mediumship, pagan and Huna rituals as well as an energy healing technique called “Crystalline Consciousness Technique.” I also studied a variety of shamanic clearing methods and healing rituals.
2. You get pretty heavy into the metaphysical. Are you, in fact, a witch?
Like, Hillary, I question who I am on a daily, sometimes hourly, basis. For centuries, women have been persecuted and even killed for being labeled a witch. I have studied many forms of healing rituals and magic and discovered that I have talents for using essential oils and crystals for the highest good. Others, who have witnessed the results of my practices, have called me many things: healer, shaman, and yes, witch. I choose not to accept any of these names but to embrace all of them as one growing changing name—wishealer or heshitch—to coin a phrase…or maybe not. As I discover more talents, gifts and unique parts to myself, this unusual word is sure to undergo a metamorphosis and may grow to the size of Moa’s real, and quite lengthy, Hawaiian name.
3. What are your favorite books and how have they touched you as a reader?
Albert Einstein said, “Everybody is a genius. But if you judge a fish by its ability to climb a tree, it will live its whole life believing that it is stupid.” The books/stories that touch me most echo the theme of humanity and self discovery and include a sense of adventure and wonder. Ray Bradbury’s short story, Frost and Fire is a shocking, but tender story about a boy’s journey into a world where people only live eight days. James Joyce’s Portrait of an Artist as a Young Man inspired me to unleash my inner censor and allow my truth to shine though my writing. If I could wish anything for those who read my books, it would be the gift of self acceptance and self acknowledgement.
4. How long does it take you to write a book from start to finish?
Good question. I went back into my notes and discovered that it took me exactly three months and ten days to write Moa from beginning to end. That seems to be my average writing speed, three months. My aunt Rebecca Gummere is my editor extraordinaire. We have developed a comfortable and productive working rhythm that balances creativity and structure and brings such joy and enrichment to the work.
5. Who designs the covers for your books?
The brilliant and talented Sydney Shiu took the cover photos when she was six during a trip to Hawaii. Scott Torrance brought his years of experience in photographic art and design to the layouts.
6. What was the hardest part of writing your book?
The time between stories is the most challenging for me. When I am inside a story and writing I am filled with peace and joy. When I finish and have to leave that world, I mourn the loss of this comforting place–the same is true when I finish reading a great book. Nevertheless, I believe that this sadness brings with it a great opportunity and depth of creativity and I wouldn’t change a thing about the process.
7. Any take-away message you want readers to grasp?
Each of us has at least one divine gift to remember. The moment we wake up and retrieve the memory of who we are and what we are here to do, that’s when the adventure begins.
8. When did you first consider yourself an author?
I was in middle school and read James Joyce’s Portrait of an Artist for the first time. About an hour later, I was overcome by an urge to write, an impulse I readily indulged. Time stood still, I still can’t quite remember what happened during that frenzied period of first creation. All I remember is coming to with pages upon pages filled with words in front of me. It felt incredible to express myself so freely. I’ve never looked back.
9. Did you start out writing novels?
No. I started out writing short stories when I was young. Then when I began acting, I wrote one-woman shows and plays, eventually combining my efforts of performance and writing in a piece called Doing Lunch which made it’s way into a short film trilogy directed by Hal Trussel. That film won “Best Dramatic Short” at the Houston Film Festival.
10. What was your main source of inspiration for the Moa book series?
When I was five, I was visited by a vision. I’ll never forget it, I was running down the stairs and the entity, a girl with dark hair, stopped me in my tracks. The spirit said that I would go through a deeply challenging time in my life, but would resurface, later in life, with unimaginable joy and fulfillment. That vision stayed with me. In middle school, I would sit quietly at my desk adding up the years to figure out exactly when my life would turn around.
And then I forgot. I got busy, my work and the stress of family life took over and I was completely overwhelmed and in desperate need of a vacation. My husband, daughter and I decided to go to Hawaii.
When the plane landed in Honolulu, I remember feeling the difference in the atmosphere as I disembarked. The air made me somehow, remember that there was a part of me that knew…something…what was it?
Never mind, I was in Hawaii it was time to see the sights! So, I sped off to see Diamond Head, Waikiki Beach and then headed home for an afternoon nap before an evening luau. As I drifted toward sleep, I heard my name being called. In my mind’s eye, I saw a beautiful young woman with dark hair, who said her name was Moaahuulikkiaaakea’o Haanaapeekuluueehuehakipuunahe’e—Moa for short.
And then I remembered.
REVIEW TIME!!! REVIEW TIME!!! REVIEW TIME!!! REVIEW TIME!!! REVIEW TIME!!! REVIEW TIME!!!
Written in the same way as Moa this story goes into the depths of Egypt to find Ku. Again the story jumps point of views in different places and had me confused to where I would have to reread a section a couple of times just to figure it out. This one has or to me seems to have a lot more characters in it but I was still unable to attach and connect to any of them. This story is a bit longer then the first book but still could be easily enjoyed for a lazy afternoon read.
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